[Bm G F#m D A] Chords for Take Me Back by Frank Stokes (1929, Blues guitar) with capo transposer, play along with guitar, piano, ukulele & mandolin. Stokes was still a popular live performer, however, appearing in medicine shows, the Ringling Brothers Circus, and other tent shows and similar venues during the 1930s and 1940s. [5] By the turn of the century, Stokes was working as a blacksmith, traveling 25 miles to Memphis on weekends to sing and play the guitar with Sane, with whom he formed a long-term musical partnership. Share with: Link: Copy link. Such is the case with Frank Stokes, the powerfully voiced bluesman who is now considered the father of the Memphis blues guitar style and whose important legacy is only now being fully appreciated. Frank Stokes. Stokes was still a popular live performer, however, appearing in medicine shows, the Ringling Brothers Circus, and other tent shows and similar venues during the 1930s and 1940s. His tremendous voice and skillful guitar work helped to popularize the Blues as he toured all over the South in Doc Watts Medicine Show, provided entertainment at parties and fish-fries, and 'busking' in the streets for spare change. Frank Stokes' Dream: 2:51: B8: Memphis Rounders Blues: 2:46: Companies, etc. It's very hard to believe that these recordings come from the 1920s, for despite the warning on the sleeve note that some tracks have their sound … In the mid-1910s, Stokes joined forces with fellow Mississippian Garfield Akers as a blackface songster, comedian, and buck dancer in the Doc Watts Medicine Show, a tent show that toured the South. Frank Stokes, Category: Artist, Albums: Consummate Performer, Creator Of The Memphis Blues, The Best Of Frank Stokes, The Best Of Frank Stokes, The Victor Recordings (1928 - 1929), Top Tracks: Downtown Blues, 'Tain't Nobody's Business If I Do, Pt. Sane joined Stokes for the second day of the August 1928 session, and they produced a two-part version of "Tain't Nobody's Business if I Do", a song well known in later versions by Bessie Smith and Jimmy Witherspoon but whose origin lies in the pre-blues era. Stokes was born in Shelby County, Tennessee, in the largest Southern vicinity Whitehaven, located two miles north of the Mississippi line. 2 : 2 Downtown Blues [Take 1] 3 Chicken You Can Roost Behind the Moon: Albums. In 2017, Frank Stokes was inducted into the Memphis Music Hall of Fame. It is said that his performances on the southern minstrel and vaudeville circuit around this time greatly influenced the great archetypal country and western musician Jimmie Rodgers, who played the same circuit. He was born in Shelby County, Tennessee, in South Memphis' largest vicinity Whitehaven, located two miles north of the Mississippi line. 1 'Tain't Nobody's Business If I Do, Pt. Format of the table is to indicate the song title, recording date, playing position of Stokes (and Dan Sane, for the titles on which he's featured) and the play-back keys at which the performances sound. He possessed a remarkable voice and was a skillfull guitar player. Frank Stokes - You Shall. In September, Stokes was back with Victor to make what were to be his last recordings, this time without Sane but with Will Batts playing the fiddle. Frank Stokes died of a stroke in Memphis on September 12, 1955. The Sheiks also continued to busk the streets, and play informally at parties. The Frank brothers began their custom guitar business in 2014 with a sketch of a guitar and the drive required to learn how to build guitars from scratch. [5], In 1929, Stokes and Sane recorded again for Paramount, resuming their billing as the Beale Street Sheiks for a few cuts. If you like acoustic guitar country blues you'll love this album. Sane rejoined Stokes for the second day of the August 1928 session, and they produced a two-part version of "Tain't Nobody's Business If I Do", a song well known in later versions by Bessie Smith and Jimmy Witherspoon, but whose origin lies somewhere in the pre-blues era. Their duet style influenced the young Memphis Minnie in her duets with husband Kansas Joe McCoy. Stokes died of a stroke in Memphis on September 12, 1955. Werbefrei streamen oder als CD und MP3 kaufen bei Amazon.de. Ain't Nobody's Business - Wikipedia A year later he recorded for Victor Records at the Memphis Auditorium, in a session with the Memphis Jug Band, Jim Jackson, Frank Stokes, and others. Frank Stokes (January 1, 1888 – September 12, 1955) was a blues musician who is considered by many musicologists to be the father of the Memphis blues guitar style. "The fluid guitar interplay between Stokes and Sane, combined with a propulsive beat, witty lyrics, and Stokes's stentorian voice, make their recordings irresistible." [5] At this session, the emphasis was on blues rather than the older songs that were also part of Stokes's repertoire. The guitar players worked well together marrying Sane's flatpicking and Stokes' fluid rhythms to make their recordings compelling to the listener. (All told, Stokes was to cut 38 sides for Paramount and Victor Records.) He was raised by his stepfather in Tutwi [5], In the mid-1910s, Stokes joined another Mississippi musician, Garfield Akers, as a blackface songster, comedian, and buck dancer in the Doc Watts Medicine Show, a tent show that toured the South. Sheet music for Stokes Frank The Guitar Of: buy online. Free shipping for many products! At this session, in February 1928, the emphasis was on blues, rather than the older songs that were also part of Stokes' repertoire. During this period of touring, Stokes developed a sense of show business professionalism that set him apart from many of the more rural, less polished blues musicians of that time and place. He was born in Shelby County, Tennessee, in South Memphis' largest vicinity Whitehaven, located two miles north of the Miss… read more Stokes and Batts were a team as evidenced by these records, which are both traditional and wildly original, but their style had fallen out of favor with the blues record buying public. Stokes recorded again for Victor that August, playing "I Got Mine", one of a body of pre-blues songs about gambling, stealing and living high. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. With no prior woodworking, design, or luthier experience, the self-taught brothers have evolved into a well-known niche guitar company popular with musicians worldwide. Stefan Grossman. Help Me Choose Recommend to a friend ----- LAST NITE - The Strokes ----- "Last Nite" The Strokes Tabbed By Stoneman 4/4/09 ok so this is my 2nd strokes tab. Includes Album Cover, Release Year, and User Reviews. Stokes learned to play guitar as a youth in Tutwiler, and, after 1895, in Hernando, Mississippi, which was home to such African American guitarists as Jim Jackson, Dan Sane, Elijah Avery (of Cannon's Jug Stompers), and Robert Wilkins. 12 September 1955 (aged 67) Frank Stokes (January 1, 1888 – September 12, 1955) was a blues musician who is considered by many musicologists to be the father of the Memphis blues guitar style. Frank Stokes with a Martin 00-28 guitar Hooks Brothers photo (glass plate found in the 1990s) a cut out version of that photo has been used for a 1927 Victor catalog: Dan Sane & Frank Stokes (playing a guitar with a tailpiece!) 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